Van Gogh Museum for People Who Dont Like Art
Fine art collector Stuart Pivar — who founded the New York Academy of Art with Andy Warhol in 1979 — is suing the van Gogh Museum in Amsterdam for $300 million dollars subsequently it declined to cosign a painting he claims is a long lost work by the Dutch master.
But the museum has reason to call up it's a simulated Van Gogh.
As The Postal service previously reported, Pivar filed a complaint with the New York County Supreme Court on Tuesday alleging that the museum was negligent because it failed to view the painting in existent life, and made its sentence based on pictures.
The painting depicts a scenic view of a wheat field bisected by a railway, titled "Auvers, 1890" and inscribed "Vincent."
"At no time did the Defendant seek to view the actual Painting or appoint the Plaintiff in obtaining scientific or forensic tests of the Painting's paint surface, canvas or other physical elements," says the filing, "Defendant rejected the authenticity of the Painting later on zero more than than a brief review of electronic photographs."
The adjust goes on to say, "The general tone and nature of the report. . . demonstrates that the Defendant had adamant that the Painting was non authentic prior to examining the submissions."
The xc-year-quondam art collector is asking for $300 million, which he believes to exist the off-white market price of a real van Gogh.
Pivar exclusively tells Page Six: "The museum denies everything considering they are unprincipled. They don't desire to take new things and practice not professionally address the investigation of a new painting. Instead they have immediate opinions. Information technology ultimately results in the death of the painting." He added, "They did goose egg and acted in a way that causes tremendous loss."
Michael Mezzatesta, formerly with the Kimball Museum in Fort Worth and director emeritus of Duke University Museum of Fine art, had taken a await at the piece and believed the piece of work to be the existent bargain.
The museum though, thinks the pic is a phony.
In its July report done by the museum's senior researchers, they indicate out the painting has a stamp of mega 20th century collector Jonas Netter on information technology. They note that Netter's collection mainly consisted of paintings by the likes of Modigliani, Soutine, and Utrillo — simply not Van Gogh.
The painting besides bears swastika stamps, though the reports states, "Netter, although being Jewish and living in Paris during the German Occupation, had sold most of his drove already before the second World War, and what remained in his possession does not seem to take been confiscated by the Nazis."
The study continues, "The Einsatzstab Reichsleiter Rosenberg, responsible for the annexation of Jewish property in occupied Paris, in that location is no reference to him, nor does he announced to have claimed whatsoever lost artworks after the war. Furthermore, we lack any information on the whereabouts of the collection betwixt the alleged moment of confiscation by the Nazis and its recent acquisition by the current owner; no data has been provided by the owner where they come up from."
Pivar has not been forthcoming about where he purchased the artwork, simply says he got viii other works forth with the supposed van Gogh.
The museum as well says "the falsifying of Nazi stamps was already a widely spread action during the war."
The report also states that the "Vincent" signature was in brown ink, while van Gogh used black ink that faded over time to appear brown.
Pivar agrees with the museum on these issues, telling united states "that not only is the signature and ink on the back probably faux, the collectors label of Jonas Netter is probably also simulated in this sense," likewise as the Nazi stamps, telling us the canvas had been re-stretched and conceding that these attributes could have been added by "i of the owners at some indicate."
Pivar however does not agree with the museum'south other findings.
The written report takes issue with the motif, stating that the view seen in the image was unlike whatever in Auvers and seems to be fictionalized. It snarks, "The particular viewpoint leads to some other problem: it is simply incommunicable to take up such a high position anywhere near Auvers, except way up in the air with a helicopter."
They too had event with the burlap textile used for the canvas, and the technique of the brushstrokes, comparing the work with other paintings by the creative person.
But Pivar is insistent his slice is authentic. "The comparisons show it does look like van Gogh," he argues. "It's ridiculous," and he states that the artist did paintings from "just as high," a perspective. "[The museum] says this painting is unlike compositions of van Gogh which is untrue, he made dozens of them," Pivar asserts.
A alphabetic character sent by the museum's lawyer to Pivar, seen by Page Six, states "The VGM conducted its inquiry in accord with the understanding entered into with you and the General Terms and Conditions applicable thereto… Information technology is clear that you disagree with this event. Y'all want the VGM to reconsider the opinion and you take submitted diverse arguments why it should. These arguments have been considered by the researchers and their decision is that none of them detract from their findings and conclusions."
The letter points out that "the District Court in Amsterdam has exclusive jurisdiction to hear whatsoever disputes betwixt you and the VGM regarding the enquiry. The same commodity too provides that Dutch law — not the laws of the U.s. — are applicable thereto."
Pivar'south collection includes paintings by Raphael, Rembrandt, Rubens, Velazquez, Goya, and Picasso, amidst others. Pivar functioned equally an art consultant for Jeffrey Epstein, but says he ended the friendship after learning about allegations of sexual assault.
Source: https://nypost.com/2021/09/08/art-collector-says-van-gogh-authenticators-are-wrong/
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